Death From Above 1979 – You're A Woman, I'm A Machine

Released in 2004, You're a Woman, I'm a Machine is the debut album by Canadian duo Death From Above 1979, known for its aggressive, bass-driven dance-punk sound. Tracks like "Romantic Rights" and "Black History Month" became underground hits. Today, the album is seen as a key influence on 2000s indie and punk scenes.

With just bass, drums, and vocals, Jesse F. Keeler and Sebastien Grainger create a sound that is raw, heavy, and surprisingly full, channeling distortion and rhythm into relentless grooves. Tracks like Romantic Rights, Black History Month, and Blood on Our Hands showcase the band’s ability to merge punk aggression with infectious hooks, resulting in music that’s as chaotic as it is catchy.

The album’s minimalist setup belies its intensity—every track feels urgent, sweaty, and alive, demanding both movement and volume. Its fusion of rock and dance sensibilities made it a standout in the mid-2000s indie landscape, gaining the duo international acclaim. You’re a Woman, I’m a Machine remains a defining release of its era, a bold and uncompromising debut that continues to resonate with fans of high-energy, genre-defying rock.

Reviews

“You’re a Woman, I’m a Machine is raw, noisy, and ridiculously fun—a debut that hits hard and never lets up.” – AllMusic

“With just bass and drums, DFA 1979 make more noise and energy than most full bands.” – Rolling Stone

“A sweaty, explosive record that bridged punk, dance, and noise into something unforgettable.” – The Guardian

“One of the most exciting rock debuts of the 2000s, equal parts chaos and groove.” – NME