Underworld – Oblivion With Bells (2xLP)

Underworld’s Oblivion With Bells (2007) sees the duo continuing their post-Emerson journey, leaning into atmospheric introspection while still dropping moments of rhythmic urgency. The album opens with the vibrant “Crocodile,” echoing their dancefloor roots, but much of what follows turns inward—lush, melancholic textures, minimalist grooves, and ambient soundscapes define the record. It feels like a nocturnal, cinematic experience, reflecting the band’s evolution from rave icons to mature sound architects. Tracks like “Beautiful Burnout” and “To Heal” are prime examples of their ability to evoke mood without resorting to bombast.

There’s a sense of patience throughout Oblivion With Bells, as if Underworld are no longer chasing euphoria but embracing subtle emotional contours. While the record doesn’t carry the seismic impact of their most iconic work, it succeeds as a cohesive and immersive listen, showing off their refined production and compositional restraint. For some listeners, this quiet confidence feels like a fresh direction; for others, it’s less immediate and more meditative. Either way, the album solidifies their place as masters of tone and space within the electronic genre.

Reviews

“Oblivion With Bells is less the comedown than the sound of the party still going 10 years on.” — NME

“The acid techno is firmly in place, with little or no regard for developments in the form after the '80s. Still, unlike other electronica mainstays who have occasionally revealed a little weariness – either from trying to change or trying to stay the same – Underworld never sound particularly tired on Oblivion with Bells.” — AllMusic

“After an auspicious introduction Oblivion With Bells has disappointingly descended into an irreconcilable docile abyss.” — Drowned in Sound

“Oblivion With Bells may not be Underworld's best album, but it's certainly more sincere than their previous two efforts.” — Resident Advisor

“Underworld have become known for their exceptional production skills, and quite rightly too – the skill with which they blend in and withdraw sounds, as well as the choices of sounds themselves sometimes being nothing more than inspired.” — Release Magazine